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Frank Duveneck was undoubtedly the most important
native artist in the history of northern Kentucky and greater
Cincinnati. As a Covington teenager, Duveneck’s talent was obvious to
Benedictine brothers whom he assisted in decorating churches in the area
and eventually throughout the northeastern United States.
At 21, he went to Europe to further develop his
abilities. Within a short time, he had established himself as a leader
of his class, won the first of many medals for his work, and began to
attract his own students.
During the next 20 years, Duveneck continued to
paint and began to teach mostly in Europe. His fame continued to grow
both in the United States and internationally. After the death of his
wife in 1888, Duveneck returned to Covington. He declined lucrative
offers from Boston, Chicago and New York. He could have gained more fame
and certainly more wealth elsewhere, but while he traveled extensively,
Covington remained his home.
Duveneck devoted the last 28 years of his life to
teaching. While he is primarily remembered for his paintings and
sculptures, in reality his true legacy in probably is his teaching. He
proved to be a master teacher. In 1890, he became dean of the Cincinnati
Art Academy and soon transformed it into a nationally recognized school.
Students flocked to his classes from all over the east and Midwest.
Duveneck was a fatherly figure to his students. He
knew how and when to give criticism and how and when to offer praise to
motivate his students. Frequently, he assisted students financially and
often took struggling students out for a meal. He normally took the
trolley from Covington to Cincinnati three times each week, but if a
student needed special attention, he didn’t hesitate to go to the art
academy each day.
His students revered him and remained faithful to
him throughout their careers. Many artists of local and even national
note were listed as his students. His appeal as a teacher rested not
only on artistic technique but his teaching of an approach to life. His
students branched out across a wide spectrum of art related occupations
including advertising, packaging, and design and touched many fields.
His influence reached beyond the formal art school.
He offered free criticism two nights each week and every Sunday morning
at the Cincinnati Art Club. His influence through his students dominated
the arts scene for generations. Any artist who studied with Duveneck had
immediate credibility. Even today, more than 70 years after his death,
his name is uttered with reverence in the local art community.
His art has provided enjoyment, enlightenment and
culture for northern Kentucky for more than 100 years including displays
at the Cathedral Basilica of the Assumption, Kenton County Public
Library, Cincinnati Art Museum and numerous other temporary and
permanent exhibits.
Duveneck had one child, Francis Boott Duveneck.
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